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dc.contributor.authorPenna, Xristina
dc.date.accessioned2020-01-23T14:09:54Z
dc.date.available2020-01-23T14:09:54Z
dc.date.issued08/06/2017
dc.identifier.citationPenna, X. (2017). 'Scenographic contraptions: a manifestation for a post-representational performance design method' [Flash presentation]. PSi23 overflow conference: Superflu(id)ity, Kampnagel, Hamburg, 8-11 June, 2017.
dc.identifier.urihttp://hdl.handle.net/10545/624421
dc.description.abstractDesign is too often considered superfluous to performances – aesthetic, technological and everyday – and yet, as a sensorially orchestrated phenomena, such invention can make discursively manifest the varying excesses of our time. As cups’ excess runneth over, the superfluous-as-design performs its superfluidity; overflowing the edges and slipping between the cracks to expose fissures and faults as possibilities; forcing open new spaces. In greeting this abundance with high-water boots, we asked how conditions of super-flu(id)ity in the social, political, environmental and/or other realms permeate our theorizing and practicing of performance design. A dozen responses to the performance+design working group’s call were selected, and these designers, theorists, pedagogues and provocateurs will share manifestos + manifestations of their research and projects in the curated Superflu(id)ity session the first day of the PSI#23 conference in Hamburg.
dc.description.sponsorshipN/A
dc.language.isoEnglish
dc.publisherPerformance Studies International
dc.relation.urlhttps://psi2017-hamburg.com/program/download-program/
dc.titleScenographic contraptions: A manifestation for a post-representational performance design method
dc.typePresentation
dc.contributor.departmentUniversity of Leeds


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