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    Towards a cogScenography: Cognitive science, scenographic reception and processes

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    Authors
    Penna, Xristina
    Affiliation
    University of Leeds
    Issue Date
    2017
    
    Metadata
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    Abstract
    This thesis argues that post-cognitivist frameworks that understand cognition as co-originating between brain, body, and world can contribute to both the production and the knowledge of scenography in a post-representational performance landscape. By imbricating radically embodied and enactive cognitive frameworks, and neuroscience metaphors of consciousness and perception within original participatory scenographic practice (Work Space I, II, and III) I develop further my ‘arts praxis’ (Nelson 2006), what I call the ‘scenographic contraption’. This practical, conceptual, and analytical framework generates participatory encounters between materials, space, and audiences, and is further used as a way of conceptualising scenography and participation within these shifting encounters. I assume three phases of the creative researcher’s condition in relation to the audience–participants, and the cognitive theories I am using for my research design: the ‘ignorant’, the ‘Janus-faced’ and the ‘predictive’ scenographer. I iterate between doing and thinking with contemporary cognitive frameworks towards the development of a theory of CogScenography, which helps us understand and experience scenography as a synergic way of doing-thinking-co-experiencing.
    Citation
    Penna, X. (2017). 'Towards a CogScenography: Cognitive science, scenographic reception and processes'. Unpublished PhD Thesis. University of Leeds.
    Publisher
    University of Leeds
    URI
    http://hdl.handle.net/10545/624419
    Additional Links
    http://etheses.whiterose.ac.uk/20624/
    Type
    Thesis or dissertation
    Language
    English
    Collections
    Arts, Humanities and Education

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