Representing camp: Constructing macaroni masculinity in eighteenth century visual satire
AffiliationUniversity of Edinburgh
MetadataShow full item record
AbstractThis article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.
CitationGowrley, F. (2019). 'Representing camp: Constructing macaroni masculinity in eighteenth-century visual satire'. ABO: Interactive Journal for Women in the Arts, 1640-1830, 9(1), pp. 1-17. DOI: 10.5038/2157-718.104.22.1681
PublisherUniversity of South Florida Tampa
JournalABO: Interactive Journal for Women in the Arts, 1640-1830