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    On Being a Male Dramatherapist

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    Authors
    Holmwood, Clive cc
    Affiliation
    University of Derby
    Issue Date
    2019-07-11
    
    Metadata
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    Abstract
    This chapter seeks to consider from a phenomenological, systemic and attachment based perspective both training in a female dominated profession and the impact of being a male dramatherapist working with families and children for the last 20 years. It will consider from a philosophical and pragmatic perspective such questions as should male therapists work with young female survivors of sexual abuse? Can male therapists build a more positive therapeutic relationship with adolescent males who have sexually offended? To what extent can the male arts therapists represent a positive role model to adolescents with absent fathers? This chapter will attempt to lift the lid on taboos around what being a male arts therapist is really about and what they should or should not be doing in their work and why by revisiting assumptions about the role of the male therapist and maleness in the therapeutic space. It will begin to delve into areas that the male taboos around the subject areas has never ventured before.
    Citation
    Holmwood, C. (2019) 'On Being a male dramatherapist', in Hogan, S. (ed.) Gender and difference in the arts therapies: inscribed on the dody. London: Routledge.
    Publisher
    Routledge
    URI
    http://hdl.handle.net/10545/624031
    DOI
    10.4324/9781351105361
    Additional Links
    https://www.routledge.com/Gender-and-Difference-in-the-Arts-Therapies-Inscribed-on-the-Body/Hogan/p/book/9781138477186
    Type
    Book chapter
    Language
    en
    ISBN
    9781138477186
    ae974a485f413a2113503eed53cd6c53
    10.4324/9781351105361
    Scopus Count
    Collections
    School of Allied Health and Social Care

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