AffiliationUniversity of Derby
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AbstractThis chapter seeks to consider from a phenomenological, systemic and attachment based perspective both training in a female dominated profession and the impact of being a male dramatherapist working with families and children for the last 20 years. It will consider from a philosophical and pragmatic perspective such questions as should male therapists work with young female survivors of sexual abuse? Can male therapists build a more positive therapeutic relationship with adolescent males who have sexually offended? To what extent can the male arts therapists represent a positive role model to adolescents with absent fathers? This chapter will attempt to lift the lid on taboos around what being a male arts therapist is really about and what they should or should not be doing in their work and why by revisiting assumptions about the role of the male therapist and maleness in the therapeutic space. It will begin to delve into areas that the male taboos around the subject areas has never ventured before.
CitationHolmwood, C. (2019) 'On Being a male dramatherapist', in Hogan, S. (ed.) Gender and difference in the arts therapies: inscribed on the dody. London: Routledge.