The archaea: painting digital photography.
|dc.identifier.citation||Rushton, S. (2018) ‘The archaea: painting digital photography’ in Robinson, C. (ed.) 'PaintingDigitalPhotography: Synthesis and difference in the age of media equivalence.' Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 1-29.||en_US|
|dc.description.abstract||How does one make a photographic body of work about Deep Ecology; the philosophy that considers humans to be equal to and no more important than any other species, advocating a radical re-adjustment of the relationship between humans and nature? This was the question I asked myself when I began a photographic project in 2014 entitled The Archaea. My interest stems from exploring the ecological relationship between humanity and the earth, and there are many sub-fields of psychology emerging to study these effects, such as eco-psychology or conservation psychology.||en_US|
|dc.publisher||Cambridge Scholars Publishing.||en_US|
|dc.title||The archaea: painting digital photography.||en_US|
|dc.contributor.department||University of Derby||en_US|