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dc.contributor.authorMcCloskey, Paula
dc.date.accessioned2019-01-28T18:23:10Z
dc.date.available2019-01-28T18:23:10Z
dc.date.issued2013-01-01
dc.identifier.citationMcCloskey, P., (2013). 'Post-Partum Document and Affect'. Studies in the Maternal, 5(1), pp.1–22. DOI: 10.16995/sim.121.en_US
dc.identifier.doihttps://doi.org/10.16995/sim.121
dc.identifier.urihttp://hdl.handle.net/10545/623411
dc.description.abstractThis paper aims to add a different inflection to the already expansive range of commentary and writing on one of the most well known artworks of the last forty years created by a female artist exploring the mother-child relation: Mary Kelly's Post-Partum Document (1973-1979 hereafter PPD). It does this by exploring the place of affect in PPD and in so doing reflects on it as a complex assemblage, a monument and potentially a place where things happen. In order to analyse PPD's asignifying aspects the paper invokes the thinking of Lisa Baraitser in her book Maternal Encounters: The Ethics of Interruption, as well as aspects of Bracha Ettinger's theory of the matrixial.en_US
dc.description.sponsorshipNAen_US
dc.language.isoenen_US
dc.publisherPaula McCloskeyen_US
dc.relation.urlhttps://www.mamsie.bbk.ac.uk/articles/abstract/10.16995/sim.121/en_US
dc.subjectMaternity and arten_US
dc.subjectaffecten_US
dc.subjectfeminist arten_US
dc.titlePost-Partum Document and Affecten_US
dc.typeArticleen_US
dc.contributor.departmentUniversity of Derbyen_US
dc.identifier.journalStudies in the Maternalen_US
refterms.dateFOA2019-01-28T18:23:11Z


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