'Walking into the world of the western': David Michod's The Rover as Australian Post-Western.
AffiliationUniversity of Derby
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AbstractExamines David Michod's Australian film The Rover as a post-western, showing how it both uses and re-interprets the tropes of the western for a new age. In particular, it explores the global themes of the film and its transnational concerns with ecology, power and identity.
CitationCampbell, N., 2017. “Walking into the World of the Western”: David Michôd’s „The Rover” as Australian Post-Western. Studia Filmoznawcze, 38, pp.45-58. DOI:
PublisherWroclaw University, Poland