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dc.contributor.authorBartram, Angela
dc.contributor.authorEl-Bizri, Nader
dc.contributor.authorGittens, Douglas
dc.date.accessioned2018-10-31T15:22:29Z
dc.date.available2018-10-31T15:22:29Z
dc.date.issued2014
dc.identifier.citationBartram, A., El-Bizri, N., and Gittens, D. (2014) ‘Recto Verso: redefining the sketchbook’, Farnham: Ashgate, xix, 250 pages.en
dc.identifier.issn9781409468660
dc.identifier.issn9781138279605
dc.identifier.issn9781315604114
dc.identifier.urihttp://hdl.handle.net/10545/623094
dc.description.abstractBringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
dc.description.sponsorshipUniversity of Lincolnen
dc.language.isoenen
dc.publisherAshgate Publishing Ltd.en
dc.relation.urlhttps://www.routledge.com/Recto-Verso-Redefining-the-Sketchbook/Bartram-El-Bizri-Gittens/p/book/9781409468660en
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/*
dc.subjectArchitectureen
dc.subjectFine arten
dc.subjectArt historyen
dc.subjectarchitectural historyen
dc.subjectArchitectural theoryen
dc.subjectart theoryen
dc.subjectdesign historyen
dc.subjectdesign theoryen
dc.titleRecto Verso: redefining the sketchbook.en
dc.typeBooken
dc.contributor.departmentUniversity of Lincolnen
html.description.abstractBringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.


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