Show simple item record

dc.contributor.authorForde, Teresa
dc.date.accessioned2018-04-04T14:37:30Z
dc.date.available2018-04-04T14:37:30Z
dc.date.issued2018-03-07
dc.identifier.citationForde, T. (2018) 'Defining the Female Artist: Marion Adnams and Surrealism' Presented at 'Marion Adnams Symposium', University of Derby, 7th March.en
dc.identifier.urihttp://hdl.handle.net/10545/622481
dc.description.abstractMarion Adnams’ work can be placed into different periods and subject matter and curating her work involves making decisions about such criteria. But to what extent are wider grouping useful in defining an artist’s work and does placing Marion Adnams in the context of Surrealism offer any insights into her practice? The relationship of women artists to Surrealism and the female/male dichotomies within the movement will be considered in relation to the ways in which they resonate with motifs and themes within Marion Adnams’ own work. French Surrealism was largely envisaged as a collective movement, encapsulated in its British counterpart in the work of artists such as Nash and Agar, in painting, found objects and poetry, which may provide an understanding of Marion’s individual yet surrealist approach to her work.
dc.description.sponsorshipN/Aen
dc.language.isoenen
dc.relation.urlhttps://twitter.com/hashtag/MarionAdnams?src=hashen
dc.relation.urlhttps://v21art.space/a-singular-womanen
dc.relation.urlhttps://www.derbymuseums.org/whats-on/marion-adnams-a-singular-womanen
dc.relation.urlhttps://www.eventbrite.co.uk/e/marion-adnams-symposium-tickets-42085404578#en
dc.relation.urlhttp://hdl.handle.net/10545/622269
dc.subjectWomen's arten
dc.subjectArtistsen
dc.subjectArt historyen
dc.titleDefining the female artist: Marion Adnams and surrealism.en
dc.typePresentationen
dc.contributor.departmentUniversity of Derbyen
refterms.dateFOA2019-02-28T16:58:51Z
html.description.abstractMarion Adnams’ work can be placed into different periods and subject matter and curating her work involves making decisions about such criteria. But to what extent are wider grouping useful in defining an artist’s work and does placing Marion Adnams in the context of Surrealism offer any insights into her practice? The relationship of women artists to Surrealism and the female/male dichotomies within the movement will be considered in relation to the ways in which they resonate with motifs and themes within Marion Adnams’ own work. French Surrealism was largely envisaged as a collective movement, encapsulated in its British counterpart in the work of artists such as Nash and Agar, in painting, found objects and poetry, which may provide an understanding of Marion’s individual yet surrealist approach to her work.


Files in this item

Thumbnail
Name:
Forde_2018_Defining the Female ...
Size:
223.0Kb
Format:
PDF
Description:
Paper abstract

This item appears in the following Collection(s)

Show simple item record