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AbstractD.I.Y Too is a new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It's a sequel of sorts - or rather; a continuation - to a recent text that platformed a growing community of voices in theatre, art, dance and performance making. Its aim is to articulate and contextualise an ethos and practice within contemporary art called "DIY" theatre and performance. This book is a text that provokes, prescribes, instructs, argues, plays, advises, promotes and describes. Its emphasis is on how theatre makers can encourage and evolve performance making by sharing their theories and practices, to help empower more artists to engage with this way of working. Critically (or theoretically) this book addresses a wide range of perspectives on "DIY" theatre and performance and identifies key axioms and dichotomies between ethos and style. Contributors: Accidental Collective: Pippa Bailey: Simon Bowes: Daniel Bye: Karen Christopher: Helen Cole: Dirty Market: Fictional Dogshelf: Emma Frankland and Keir Cooper: Gob Squad: Donald Hutera: Mamoru Iriguchi: Dan Koop: Lila Dance: Caroline Locke: LOW PROFILE: Rachel Mars: Harun Morrison: Hannah Nicklin: Joseph O'Farrell (JOF): Paper Cinema: Patternfight: Plastic Castles: Sh!t Theatre: Sleeping Trees: Sleepwalk Collective: Tassos Stevens: Shamira Turner, Little Bulb: Uninvited Guests: Hannah Jane Walker: Melanie Wilson: Greg Wohead: Caroline Wright and Helen Paris.
CitationLocke, C. (2015) 'D.I.Y: Hydrophonics' in Daniels, Robert (ed.) 'D.I.Y Too", University of Chichester, Chichester
PublisherUniversity of Chichester
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Except where otherwise noted, this item's license is described as http://creativecommons.org/licenses/by-nc/4.0/