A perceptual approach to the composition of meaning in artificial spatial audio
Abstract
This paper describes research to inform the production of spatial audio that consolidates knowledge from several disparate fields. A perceptual model is proposed, based on contemporary perception theories, as the basis for new approaches to audio spatial understanding and a new approach to the generation of artificial sound fields. A fine-grain, modular model of perception is suggested that will allow audio attributes to have perceptual significance with respect to their causal trajectories. This represents an evolution towards the construction of believable sound fields from the traditional geometric, direction based approach to sound spatialisation.Citation
Lennox, P. and Myatt, T. (2007) 'A perceptual approach to the composition of meaning in artificial spatial audio', in Proceedings of the 30th AES International Conference on Intelligent Audio Environments, p. 25.Publisher
Audio Engineering SocietyJournal
Proceedings of the 30th AES International Conference on Intelligent Audio EnvironmentsAdditional Links
http://www.aes.org/e-lib/browse.cfm?elib=13924Type
Meetings and ProceedingsLanguage
enThe following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as http://creativecommons.org/licenses/by-nc-sa/4.0/