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dc.contributor.authorCheeseman, Matthew
dc.contributor.editorCheeseman, Matthew
dc.date.accessioned2017-07-31T09:48:40Z
dc.date.available2017-07-31T09:48:40Z
dc.date.issued2017-04
dc.identifier.citationCheeseman, M. (editor) (2017) 'On the water', Southampton: Solent Press.en
dc.identifier.isbn9780907426462
dc.identifier.urihttp://hdl.handle.net/10545/621785
dc.description.abstractOn The Water is a collection of prose, non-fiction, performance writing and poetry, which has been written and assembled by writers from Southampton. The book is arranged to take the reader on a journey. It's not organised into sections of prose or poetry but from the feel of the pieces. We begin with the most emotional and personal pieces and end with the most universal and abstract. This is our own interpretation of being 'on the water'. I wonder what the woman whose voice is blared through loudspeakers across the country is like herself. I wonder if she's even alive, I wonder how she'd feel knowing her voice announced deaths a dozen times a day in the most loosely veiled code commuters know. I wonder how many voices break a year to her voice.
dc.description.sponsorshipSouthampton Solent Universityen
dc.format196 pagesen
dc.language.isoenen
dc.publisherSolent Pressen
dc.relation.urlhttps://www.indiegogo.com/projects/on-the-water-book-poetry#/en
dc.subjectCreative writingen
dc.subjectPoetryen
dc.subjectFictionen
dc.subjectNon-fictionen
dc.subjectNatureen
dc.titleOn the wateren
dc.typeBooken
dc.contributor.departmentSouthampton Solent Universityen
dc.identifier.orcidhttps://orcid.org/0000-0003-4057-495X
dc.relation.embedded<iframe width="560" height="315" src="https://www.youtube.com/embed/LvWav5OqFtM" frameborder="0" allowfullscreen></iframe>en
html.description.abstractOn The Water is a collection of prose, non-fiction, performance writing and poetry, which has been written and assembled by writers from Southampton. The book is arranged to take the reader on a journey. It's not organised into sections of prose or poetry but from the feel of the pieces. We begin with the most emotional and personal pieces and end with the most universal and abstract. This is our own interpretation of being 'on the water'. I wonder what the woman whose voice is blared through loudspeakers across the country is like herself. I wonder if she's even alive, I wonder how she'd feel knowing her voice announced deaths a dozen times a day in the most loosely veiled code commuters know. I wonder how many voices break a year to her voice.


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