• The Macaroni's ‘Ambrosial Essences’: Perfume, identity and public space in Eighteenth-Century England.

      Tullett, William; University of Derby (Wiley, 2015-04-22)
      The male antitype of the macaroni and the space of the pleasure gardens in which he reputedly existed have been primarily understood in terms of vision. This article seeks to re‐integrate other senses, particularly olfaction, into our understanding of these subjects. Sounds and smells, of individuals and urban spaces, undermined the idea of the pleasure garden as an enclosed space and the cultivation of the senses it attempted to encourage. The macaroni and his perfumes were an extreme example of this, linking the pleasure garden to the perfumer's shop and disrupting understandings of bodily comportment, masculinity and the proper use of the senses.
    • Making meaning and meaning making: memory, postmemory and narrative in Holocaust literature

      Flower, Annie; University of Derby (2013)
      This paper explores links between narration and memory in Holocaust literature and examines ways in which individuals construct memory and postmemory. Based on the premise that ‘All authors mediate reality through their writing...’ and taking into consideration that what we remember and how we remember is likely to have a significant impact on the narratives that we construct, this article considers the reliability of memory. It argues that whilst there is, at times, a blurring of boundaries between fact and fiction in Holocaust literature, this has little or no impact on the validity and authenticity of the narratives. In an attempt to address these issues more fully, this paper explores the notions of making meaning and meaning making, whilst considering the effects of positionality, time and trauma on memory. Key texts referred to in this discussion include Night (1958) by Elie Wiesel, All Rivers Run to the Sea (1996) by Elie Wiesel, In My Brother’s Shadow (2005) by Uwe Timm and The Dark Room (2001) by Rachel Seiffert. These texts have been chosen in order to highlight the subjectivity of memory and postmemory and to demonstrate the role that narrative plays in their construction and representation.
    • The media, ethnicity and religion as determinants of failed republics in Nigeria

      Oboh, Godwin Ehiarekhian; University of Derby; Benson Idahosa University (Delmas Communications Ltd, Delta State University, Abraka, Nigeria, 2010-10)
      This paper analyses the covert influence of ethnicity and religion on the media and voting in Nigerian elections and demonstrates how previous Nigerian republics have been hindered because of the impact of ethnic disservice and election crises, thereby providing opportunities for the military to topple each of those failed civilian administrations. Unfortunately, the press could not play a meaningful role in the 1964/65 election crises because the leaders of the factional groups in those conflicts were equally the owners of the early newspapers. So, they simply converted their papers into channels for fighting wars of personal vendetta. In fact, ethnic rivalry and religious intolerance are today the two major sources of conflict in Nigerian politics. For these reasons the paper advises the media to avoid playing the role of an advocate in the support of individuals and governmental agencies as well as ethnic nationality whose aims and objectives are inimical to the national interest and religious tolerance among the Nigerian public.
    • "Mild health I seek thee": Clare and Bloomfield at the limits of pastoral

      Lafford, Erin; University of Derby (Taylor & Francis, 2020)
    • The narrative nightclub.

      Cheeseman, Matthew; University of Derby (2018-05-04)
      This chapter brings together expertise in film and cultural studies to analyse representations of nightclub dancefloors in British films from the 1990s onwards: Human Traffic (Justin Kerrigan, 1999), Sorted (Alexander Jovy, 2000), Soul Boy (Shimmy Marcus, 2010), Everywhere and Nowhere (Menhaj Huda, 2011) and Northern Soul (Elaine Constantine, 2014). We use these films to identify persistent visual iconographies and accompanying ideological underpinnings within the British dancefloor film. To understand what these lms do not do, we also look by way of contrast to a film from France, Eden (Mia Hansen-Løve, 2014). Our approach links academic writing on dance music and nightclub cultures with analysis of filmic texts, and in doing so the chapter captures a sense of the wider discourse surrounding nightclubs and especially the dancefloors that often form their focus, on- and off-screen.
    • ‘The natural foundation of perfect efficiency’: Medical services and the Victorian post office

      McIlvenna, Kathleen; Brown, Douglas; Green, David R; Kingston University (Oxford University Press, 2019-01-23)
      This article explores the creation of the Post Office medical service. Working for the Post Office was relatively well-paid and an increasing number of doctors were employed. Medical provision expanded with the introduction of non-contributory pensions from mid-century and developed into a comprehensive and nationwide service that was involved at all stages of employment, from initial recruitment through to receiving a pension. Post Office doctors assessed candidates’ fitness for work, checked on sick absences, provided free medicine and advice and visited workers’ homes. Doctors were responsible for determining whether or not a worker should be pensioned off on grounds of ill health. The career of the first Chief Medical Officer, Dr Waller Lewis, also illustrates the range of other areas in which the Post Office medical service became involved, including the clinical assessment and relief of sickness as well as identifying preventative measures to improve health outcomes.
    • New Media and the Arab Spring of 2011

      Hudson, Robert Charles; Oboh, Godwin Ehiarekhian; University of Derby (Delmas Communications Ltd, 2012-09-07)
    • New model writer

      Callow, Christos Jr; McFarlane, Anna; Birkbeck, University of London; University of Glasgow (Gylphi, 2016)
      Each chapter in this collection explores the challenge posed to science fiction, literary fiction and contemporary ideas through Roberts’s novels. His use of the science fiction toolkit combined with his sharp and sometimes lyrical prose blurs the distinction that some would wish to maintain between science fiction and mainstream literature.
    • Night after night: costume and performance amongst Sheffield Students.

      Cheeseman, Matthew; University of Sheffield (2008)
      A film about students in Sheffield. Shown at the 9th SIEF Congress, University of Ulster.
    • Nineteenth-Century letters as a resource: Midlands women as a case study.

      Flint, Alison Claire; University of Derby (Centre for West Midlands History, 2017-11)
      This paper argues that a letter’s physicality is as important to the twenty-first century social historian as the written word. It is not enough to interpret the letter as a literary document nor is it intelligible to take the letter simply as an historical artefact for both lines of enquiry will result in the recounting of one half of the complete whole. A critical evaluation of the archival collection of the Ogston Estate in the heart of the Midlands, indicated that this group of records can deliver more than a concise male orientated genealogical record or history of a Midlands country estate. It has shown that, and most importantly to this study, the majority of the surviving familiar letters from one Midlands family, were written by women, principally the wives, mothers and daughters of the Turbutt/Gladwin family. This offers a unique insight into the personal preoccupations of gentry women in the Midlands, their economic roles and social lives not only from a gentry family focus but also as a vehicle from which to investigate the extent to which the letter and letter writing in the Midlands in the 1800s played a key role in feminine polite society.
    • No picnic: Explorations in art and research.

      Cheeseman, Matthew; Cheeseman, Matthew; University of Sheffield (NATCECT, 2014-10)
      An output from the interdisciplinary research project into artistic practice and academic research. A supplement detailing responses to the book was printed.
    • Noise and dissonance.

      Cheeseman, Matthew; Kilby, Nick; University of Sheffield (Article and PlastiCities, 2013)
      An audio tape documenting a ritual séance for a Throbbing Gristle performance held at the Now Society, University of Sheffield Students' Union. The séance was directed by the artist Nick Kilby. The tape was published with an essay.
    • Norfolk pauper inventories, c.1690-1834

      Harley, Joseph; University of Derby (Oxford University Press/British Academy, 2020-02-27)
      Pauper inventories were made by poor law officials to record the possessions that people on poor relief owned. These inventories have been known to exist for decades, yet they are notoriously difficult to find and have been under-utilised by generations of historians. For the first time, this book contains transcriptions of 230 pauper inventories from Norfolk. The sources are fully contextualised and indexed, alongside four comprehensive chapters which outline the source's importance and usefulness to readers. Pauper inventories are powerful documents which reveal new insights into the living conditions of the destitute and show that being poor did not necessarily equate to owning very little. The sources will be of use to economic, social and cultural historians who study a wide range of topics including consumption, material culture, production, everyday life, poverty and welfare.
    • Not sucking in the seventies: The Rolling Stones and the myth of decline

      Philo, Simon; University of Derby (Taylor and Francis, 2015-10-29)
      This article reappraises the Stones’ “lost years.” However, in covering their reputation-imperiling half-decade between 1973 and 1978, it reaches back to the band’s fabled 1960s heyday and forward to its “revival” in order to identify continuities in practice and performance to counter the critical orthodoxy. Through the ’70s, the Rolling Stones released eight studio albums and one live set and toured almost annually; and, while their growing number of critics were keen to charge them with treason, their growing number of fans were evidently untroubled by the band’s often-cited crimes against the “ideology of rock.” I am not simply proposing, though, that healthy sales should be mobilized to bust the myth of decline. For, if not always “ahead of the game,” the Stones had a creatively meaningful relationship with some of the decade’s key musical developments—glam, disco, punk, and reggae. So, far from standing still artistically, gazing glassily at their elegantly wasted navels, stupefied by narcotics and cocooned by their bank balances, the Rolling Stones did some of their best work in this period—from the glam-ballad “Angie” through the funky dread of “Finger Print File” to the lo-fi energy of “Respectable.”
    • Nothing but the Truth, take two: fighting for the reader in the Tlatelolco 1968 discourse

      Carpenter, Victoria; University of Derby (2012-04)
      The hypothesis put forward in this project is that there are two mechanisms of creating a collective memory of the event: one is hegemonic (dominated by state discourses and, potentially, academic studies of the shooting), and the other is posthegemonic (dominated by literary and popular discourses). We also posit that neither mechanism produces or even aims to produce an accurate representation of the event; instead, the two systems control cognitive and affective domains in collective conscience. The present paper will compare the way the two mechanisms are used in the contemporary analyses of the Tlatelolco massacre. The two works in question are Roberto Blanco Moheno, Tlatelolco: historia de una infamia (1969), and Guillermo Balám, Tlatelolco: Reflexiones de un testigo (1969). I aim to determine whether the two authors, apparently representing the opposing camps in the Tlatelolco discourse, approach the representation of the massacre from two divergent perspectives or whether their texts are characterised by the unity of the mechanisms involved in creating a memory of the event in the collective conscience.
    • Old ways, new ways: Theatre artists peopling the media in Uganda

      Kasule, Samuel; University of Derby (African Theatre Association, 2018)
    • On going out and the experience of students.

      Cheeseman, Matthew; University of Derby (Palgrave Macmillan, 2018)
      Proposes a model for undergraduate culture in the night-time economy, mapping three stages from an HEI-centric culture into a heterogeneous culture and finally a homogenous culture, as youth culture and the night-time economy develop through the twentieth century.
    • On rigidity, Reus and Reich.

      Cheeseman, Matthew; University of Derby (2016)