• Jan Kochanowski: Polish poet

      Tighe, Carl (2012-09)
    • Jane Austen free indirect style, gender and interiority in literary fiction

      MacMahon, Barbara; University of Derby (Palgrave Macmillan, 2018-05-21)
      In this chapter I suggest that Jane Austen’s use of free indirect style has a far-reaching legacy in terms of establishing the form as central to a sense of literariness in prose fiction. More particularly, I argue that Austen’s use of language metarepresents the thoughts of female characters as a dynamic process of understanding themselves and their worlds. This coincides with a more general perception, construction and performance of ‘feminine’ thought and language use as hesitant, equivocal and spontaneous. I explore the influence of Austen’s style with close analysis and comparison of passages of interiority in Austen’s Mansfield Park, Katherine Mansfield’s short story ‘Millie’ and Monica Ali’s novel Brick Lane.
    • Jane Austen, free indirect style, gender and interiority in literary fiction.

      MacMahon, Barbara; University of Derby (Palgrave Macmillan, 2018-11-12)
      Austen is known for her development of free indirect style as a narrative form. Free indirect style is a fusion of narrator and character perspectives, a peculiar linguistic manipulation of deictic centres which allows for a semi-experiential representation of a character’s perceptions, thoughts and experiences. The style does not tell, it shows, and in doing so it invites close engagement with and empathetic reading of character, at the same time as maintaining the distance of a third-person narrative. This can be a powerful narrative device with complex effects.
    • The Jews, the Holocaust and the public: the legacies of David Cesarani

      Allwork Larissa; University of Derby (Palgrave Macmillan, 2019-11-25)
      This book explores the work and legacy of Professor David Cesarani OBE, a leading British scholar and expert on Jewish history who helped to shape Holocaust research, remembrance and education in the UK. It is a unique combination of chapters produced by researchers, curators and commemoration activists who either worked with and/or were taught by the late Cesarani. The chapters in this collection consider the legacies of Cesarani’s contribution to the discipline of history and the practice of public history. The contributors offer reflections on Cesarani’s approach and provide new insights into the study of Anglo-Jewish history, minorities and nationalisms, Nazi war crimes and their legacies and the history and public legacies of the Holocaust. This edited collection comprises 17 chapters (approx' 365 pages) that have been curated by Dr Larissa Allwork and Dr Rachel Pistol. As well as working with Pistol to select and copy edit all the chapters, Allwork co-wrote the 'introduction' with Pistol (c. 6000 words), proposing that there is a distinctly 'Cesaranian' interdisciplinary approach to the study of the Holocaust. Allwork also submitted two further chapters to the collection. The first, a sole authored chapter offering an original interpretation of Gerhard Richter and Gustav Metzger's artistic confrontations with Nazi criminality (c. 10,000). The second, a transcript of an interview conducted with Cesarani in 2009 (c. 7,500 words). This includes an introductory section which self-reflexively grounds the interview and is fully footnoted and referenced.
    • John Clare, herbalism, and elegy

      Lafford, Erin; University of Derby (Edinburgh University Press, 2020)
      Discussions of Clare’s engagement with botany often trace his fraught relationship with taxonomy, exploring his admiration for common names over the ‘dark system’ of Linnaean classification. This essay expands understanding of Clare’s botanical imagination by considering how he brings his botanical ‘taste’ to bear on the flower as a key figure of elegiac consolation. I refocus attention on his formative preference for pre-Linnaean herbalism and explore how it informs his engagement with elegiac tradition and imagery, especially in relation to Gray’s ‘Elegy’. I attend to how herbalism is brought into relationship with poetic representations of the floral, focussing especially on the connection between Clare’s preference for herbals and Elizabeth Kent’s Flora Domestica. I then discuss ‘Cauper Green’ and ‘The Village Doctress’ (Clare’s most sustained poetic discussions of herbalism) as elegies that try to reconcile the finite temporality of human life with the regenerative life cycles of plants and their flowers.
    • The journal of imaginary research. Volume 3.

      Cheeseman, Matthew; Guccione, Kay; University of Derby (NATCECT, 2018)
    • Karl Marx's Capital and transatlantic radical book-trade networks in the early twentieth century

      Feely, Catherine; University of Derby (Routledge, 2017)
      The book trade historically tended to operate in a spirit of co-operation as well as competition. Networks between printers, publishers, booksellers and related trades existed at local, regional, national and international levels and were a vital part of the business of books for several centuries. This collection of essays examines many aspects of the history of book-trade networks, in response to the recent ‘spatial turn’ in history and other disciplines. Contributors come from various backgrounds including history, sociology, business studies and English literature.
    • Kissing women: The fiction of Sarah Waters

      Bishton, Joanne; University of Derby (Lucian Blaga University Press, 2008)
      The lesbian historical novel is a genre that has been consistently neglected. Reasons of censorship and lack of credibility, during an increasingly hostile Victorian era, forced lesbians into exile, denying them their subjectivity and distancing them from any notion of same sex desire. Inevitably, lives have been lost or forgotten as a consequence. Looking at three of Sarah Waters novels, Tipping the Velvet, Affinity and The Fingersmith, this article intends to consider the existence of the marginalized working class lesbian. It hopes to show how a contemporary woman writer successfully exploits the unreliability of history in order to replicate a series of romantic fantasies and in so doing, it will argue that Waters’ fiction makes it possible to envisage lesbian desire beyond the limitations of heterosexual paradigms. Feminist and queer theory engagement with the texts will highlight the way Waters repossesses the desiring lesbian body, examining a series of erotic lesbian portrayals.
    • KssssS

      Tighe, Carl; University of Derby (IMPress, 2004)
      a novel
    • Landscape, land and identity: a performative consideration

      Crouch, David; University of Derby (2012)
      This chapter considers ideas of land and identity processes through an original consideration of landscape. Following Taussig's argument that cultural meaning and identification are less constituted in institutionalised and ritualised signification than emergent in the performance of life, attention focuses upon the performative character of landscape and its relationality with land and identity.... Making land significant in life is considered through landscape in the notion of spacing. The notion of an everyday, gentle politics is introduced to the constitution of identities and feeling of land. Identities and values concerning land are produced relationally in the energy cracks between performativity and institutions, as the several investigations upon which this chapter draws testify.
    • Laon and Cythna and The Revolt of Islam: revisions as transition.

      Whickman, Paul; University of Derby (Taylor & Francis, 2018-10-16)
      The enforced amendments made to Laon and Cythna following its withdrawal from publication in December 1817 are generally regarded as workmanlike and prudent, sacrificing aesthetic merit in the name of compromise and self-censorship. There remain, however, few detailed readings of these modifications that go beyond subjective responses. To this end, this article offers a reading of these revisions arguing that although some are indeed functional alterations, other amendments serve thematic and aesthetic ends. One of Shelley’s most common changes, that of changing the word ‘God’ to ‘Power’, is a case in point. Since a key theme of the poem is of the collusion between political and religious tyranny, Shelley’s alteration of ‘God’ to ‘Power’ makes this connection more explicit. From this, this article concludes that these revisions signal, analogously at the very least, a transitioning point in Shelley’s thought and career. Whereas Queen Mab (1813) refers explicitly to ‘God’, later works such as Prometheus Unbound (1820) settle upon the term ‘Power’. The fact that we see Shelley move from one to the other between Laon and Cythna and The Revolt of Islam is therefore significant.
    • “Learning to Walk”: Qing constitutional reform and Britain’s imperial pedagogy, 1901-1911

      Neuhaus, Tom; University of Derby (Routledge, 2019-08-07)
      This contribution examines British attitudes towards the Qing government’s efforts at introducing constitutional reform in China during the first decade of the twentieth century. During this period, China gradually introduced elected assemblies as well as a range of other reforms in education, civil service administration, and a number of other fields. The chapter will explore to what extent imperial ambitions shaped British understandings of the changes that occurred in the Qing Empire and whether British observers believed constitutional government would be successful. Judging from Foreign Office and consular reports, British opinion on reforms in China was ambivalent. On the one hand, there was a strong sense that Britain should support efforts at democratization, even if many consular officials believed that optimism about China's path towards constitutional government was misplaced. While there was some support for specific reforms, many observers believed that China lacked capable leaders and that the Chinese people were not truly committed to political change. On the other hand, in the aftermath of the Boxer Rebellion, there was also a growing concern that constitutional government was interwoven with a growing sense of Chinese assertiveness, nationalism, and anti-foreign sentiment. This, British consular staff feared, would endanger British interests in the region and the stability of the British Empire, particularly in regions with a significant overseas Chinese population. The ambivalence contained in this assessment of Chinese reforms was never fully resolved, but its very existence demonstrates the importance which British commentators attached to safeguarding not only Britain’s economic interests but also her status as a global symbol of constitutional government.
    • Like a ghost out of nowhere.

      Cheeseman, Matthew; University of Derby (Spirit Duplicator, 2018-06)
      This chapter questions disciplinary voices and explores how researchers have worked with power differentials. The whole book features researchers working across art, architecture, ethnography and creative writing discussing how multiple voices are activated and hosted in their work. Edited by Jon Orlek and designed by Jon Cannon, each copy is unique and contains a performance by Vulpes Vulpes.
    • Literature 1780–1830: The Romantic Period

      Branagh-miscampbell, Maxine; O’Brien, Eliza; Ward, Matthew; Whickman, Paul; Dennis, Chrisy; University of Derby (Oxford University Press, 2016-03-10)
      This chapter has four sections: 1. General and Prose; 2. The Novel; 3. Poetry; 4. Drama. Section 1 is by Maxine Branagh-Miscampbell; section 2 is by Eliza O’Brien; section 3 is by Matthew Ward and Paul Whickman; section 4 is by Chrisy Dennis.
    • Literature 1780–1830: The Romantic Period.

      Branagh-miscampbell, Maxine; Leonardi, Barbara; Whickman, Paul; Ward, Matthew; Miranda, Omar F.; University of Stirling; University of Derby; University of St Andrews; University of San Francisco (Oxford University Press, 2017-04-30)
      This chapter has four sections: 1. General and Prose; 2. The Novel; 3. Poetry; 4. Drama. Section 1 is by Maxine Branagh-Miscampbell; section 2 is by Barbara Leonardi; section 3 is by Matthew Ward and Paul Whickman; section 4 is by Omar F. Miranda.
    • Literature 1780–1830: the Romantic Period.

      Branagh-Miscampbell, Maxine; Leonardi, Barbara; Whickman, Paul; Ward, Matthew; Halsey, Katie; University of Derby (Oxford University Press, 2018-10-29)
    • Lived spaces and planning anarchy: Theory and practice of Colin Ward.

      Crouch, David; University of Derby; Humanities Department, University of Derby, UK (Taylor and Francis, 2017-10-11)
    • Losing people: a linguistic analysis of minimisation in First World War soldiers’ accounts of violence

      Penry Williams, Cara; ; Rice-Whetton, John; La Trobe University (Victoria, Australia); University of Derby; University of Melbourne (Victoria, Australia) (Palgrave, 2019-10-05)
      This chapter examines the First World War letters and diaries of Australian soldiers for insights into the relationships between language and violence, focusing on accounts of violent actions and the deaths these caused. Analysis from a corpus of writings from 22 soldiers demonstrates around two-thirds of accounts utilise linguistic resources to minimise or downplay the realities of violence. Two main approaches are generally used: figurative language (euphemism and metaphor) and language that downplays human involvement (passive voice, simplified register, nominalisation/light verb constructions, and the use of inanimate nouns in place of people involved). Our exemplification and analysis of these strategies provides insight into both soldiers’ experiences of violence and death and how they made sense of these experiences. The chapter thus adds to the understanding of First World War vernacular writing, contributes to existing scholarship by using a linguistic method of analysis, and more broadly considers the way violence is discussed.
    • The Macaroni's ‘Ambrosial Essences’: Perfume, identity and public space in Eighteenth-Century England.

      Tullett, William; University of Derby (Wiley, 2015-04-22)
      The male antitype of the macaroni and the space of the pleasure gardens in which he reputedly existed have been primarily understood in terms of vision. This article seeks to re‐integrate other senses, particularly olfaction, into our understanding of these subjects. Sounds and smells, of individuals and urban spaces, undermined the idea of the pleasure garden as an enclosed space and the cultivation of the senses it attempted to encourage. The macaroni and his perfumes were an extreme example of this, linking the pleasure garden to the perfumer's shop and disrupting understandings of bodily comportment, masculinity and the proper use of the senses.
    • Making meaning and meaning making: memory, postmemory and narrative in Holocaust literature

      Flower, Annie; University of Derby (2013)
      This paper explores links between narration and memory in Holocaust literature and examines ways in which individuals construct memory and postmemory. Based on the premise that ‘All authors mediate reality through their writing...’ and taking into consideration that what we remember and how we remember is likely to have a significant impact on the narratives that we construct, this article considers the reliability of memory. It argues that whilst there is, at times, a blurring of boundaries between fact and fiction in Holocaust literature, this has little or no impact on the validity and authenticity of the narratives. In an attempt to address these issues more fully, this paper explores the notions of making meaning and meaning making, whilst considering the effects of positionality, time and trauma on memory. Key texts referred to in this discussion include Night (1958) by Elie Wiesel, All Rivers Run to the Sea (1996) by Elie Wiesel, In My Brother’s Shadow (2005) by Uwe Timm and The Dark Room (2001) by Rachel Seiffert. These texts have been chosen in order to highlight the subjectivity of memory and postmemory and to demonstrate the role that narrative plays in their construction and representation.