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dc.contributor.authorWhite, Christine
dc.date.accessioned2016-12-15T14:31:24Z
dc.date.available2016-12-15T14:31:24Z
dc.date.issued2013-07-01
dc.identifier.citationWhite, C/ (2013) 'The Stage is Set – or is it? – Production by Chris White, Derby Theatre, 20 March 2013 2013', Scene, 1 (2):227en
dc.identifier.issn20443714
dc.identifier.issn20443722
dc.identifier.doi10.1386/scene.1.2.227_1
dc.identifier.urihttp://hdl.handle.net/10545/621175
dc.description.abstractThe aim of the production was to perform the lighting research juxtaposing the historical research with special effects and lighting techniques. It experimented with performance and lighting styles to demonstrate the use of imagination and suggestion, and the emblematic and non-naturalistic in lighting effects from the Renaissance through to the interconnectedness of animation and live performance technologies.
dc.language.isoenen
dc.publisherIntellecten
dc.relation.urlhttp://openurl.ingenta.com/content/xref?genre=article&issn=2044-3714&volume=1&issue=2&spage=227en
dc.rightsArchived with thanks to Sceneen
dc.subjectLightingen
dc.subjectTechnologyen
dc.subjectDesignen
dc.subjectImaginationen
dc.subjectHistory of theatreen
dc.subjectLive performanceen
dc.titleThe stage is set – or is it? – production by Chris White, Derby Theatre, 20 March 2013en
dc.typeArticleen
dc.contributor.departmentUniversity of Derbyen
dc.identifier.journalSceneen
html.description.abstractThe aim of the production was to perform the lighting research juxtaposing the historical research with special effects and lighting techniques. It experimented with performance and lighting styles to demonstrate the use of imagination and suggestion, and the emblematic and non-naturalistic in lighting effects from the Renaissance through to the interconnectedness of animation and live performance technologies.


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