The stage is set – or is it? – production by Chris White, Derby Theatre, 20 March 2013
| dc.contributor.author | White, Christine | |
| dc.date.accessioned | 2016-12-15T14:31:24Z | |
| dc.date.available | 2016-12-15T14:31:24Z | |
| dc.date.issued | 2013-07-01 | |
| dc.identifier.citation | White, C/ (2013) 'The Stage is Set – or is it? – Production by Chris White, Derby Theatre, 20 March 2013 2013', Scene, 1 (2):227 | en |
| dc.identifier.issn | 20443714 | |
| dc.identifier.issn | 20443722 | |
| dc.identifier.doi | 10.1386/scene.1.2.227_1 | |
| dc.identifier.uri | http://hdl.handle.net/10545/621175 | |
| dc.description.abstract | The aim of the production was to perform the lighting research juxtaposing the historical research with special effects and lighting techniques. It experimented with performance and lighting styles to demonstrate the use of imagination and suggestion, and the emblematic and non-naturalistic in lighting effects from the Renaissance through to the interconnectedness of animation and live performance technologies. | |
| dc.language.iso | en | en |
| dc.publisher | Intellect | en |
| dc.relation.url | http://openurl.ingenta.com/content/xref?genre=article&issn=2044-3714&volume=1&issue=2&spage=227 | en |
| dc.rights | Archived with thanks to Scene | en |
| dc.subject | Lighting | en |
| dc.subject | Technology | en |
| dc.subject | Design | en |
| dc.subject | Imagination | en |
| dc.subject | History of theatre | en |
| dc.subject | Live performance | en |
| dc.title | The stage is set – or is it? – production by Chris White, Derby Theatre, 20 March 2013 | en |
| dc.type | Article | en |
| dc.contributor.department | University of Derby | en |
| dc.identifier.journal | Scene | en |
| html.description.abstract | The aim of the production was to perform the lighting research juxtaposing the historical research with special effects and lighting techniques. It experimented with performance and lighting styles to demonstrate the use of imagination and suggestion, and the emblematic and non-naturalistic in lighting effects from the Renaissance through to the interconnectedness of animation and live performance technologies. |