The poet as sage, sage as poet in 1816: Aesthetics and epistemology in Percy Bysshe Shelley’s ‘Hymn to Intellectual Beauty’
AffiliationUniversity of Derby
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AbstractPhilosophy and poetry for Shelley are considered as inter-related or even interchangeable. Nevertheless, critics have often struggled to reconcile the two sides of the figure of Shelley; the Romantic poet and the Enlightenment-inspired sceptical philosopher. If, in a Lockean sense, language is both an imperfect conveyor of knowledge and, as for Thomas Paine, the tool of tyranny, then this raises the question of how Shelley is to operate as a poet. Focusing on ‘Hymn to Intellectual Beauty’, this essay considers not only how Shelley’s philosophy is thematically an aspect of the poem but also how this manifests itself aesthetically. The philosophical problem of the relationship between language and knowledge, this essay contends, is an aesthetic one. Aesthetics and epistemology therefore intersect in the poem, overcoming the perceived tension between Shelley as poet and Shelley as philosopher.
CitationWhickman, P. (2016) 'The Poet as Sage, Sage as Poet in 1816: Aesthetics and Epistemology in Percy Bysshe Shelley’s ‘Hymn to Intellectual Beauty’ ', The Keats-Shelley Review, 30 (2):142
PublisherTaylor & Francis
JournalThe Keats-Shelley Review