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dc.contributor.authorMcNaney, Nicki
dc.date.accessioned2016-10-12T14:09:49Z
dc.date.available2016-10-12T14:09:49Z
dc.date.issued2015-10
dc.identifier.citationMcNaney, N. (2015) 'Night Circus; An artists publication' [Exhibit] Sheffield International Artist's Book Prize, Sheffield, October.en
dc.identifier.urihttp://hdl.handle.net/10545/620551
dc.description.abstractThe Sheffield 5th International Artist’s Book Prize and exhibition showcased over 200 books selected from nearly 400 individual entries coming from 42 different countries. The publication was developed to explore my use of narrative and sequencing using screen-printing and collage. Characters were created initially using the medium of mono-printing and then collaged by hand and created into various colour separations to take forward into screen-print. The objective of the project was to explore the surreal nature of the narrative and create characters, and an environment that depicted this within the restrictions of the traditional print media and book format.
dc.language.isoenen
dc.relation.urlhttp://artistsbookprize.co.uken
dc.subjectScreen printen
dc.subjectCollageen
dc.subjectArtist booksen
dc.subjectNarrativeen
dc.titleNight Circus; An artists publicationen
dc.typeBooken
dc.typeOtheren
dc.contributor.departmentUniversity of Derbyen
refterms.dateFOA2019-01-23T13:27:00Z
html.description.abstractThe Sheffield 5th International Artist’s Book Prize and exhibition showcased over 200 books selected from nearly 400 individual entries coming from 42 different countries. The publication was developed to explore my use of narrative and sequencing using screen-printing and collage. Characters were created initially using the medium of mono-printing and then collaged by hand and created into various colour separations to take forward into screen-print. The objective of the project was to explore the surreal nature of the narrative and create characters, and an environment that depicted this within the restrictions of the traditional print media and book format.


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