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dc.contributor.authorMcMahon, Daithi
dc.date.accessioned2016-10-10T14:07:28Z
dc.date.available2016-10-10T14:07:28Z
dc.date.issued2016
dc.identifier.citationMcMahon, D. (2016) Friends and feelings: the appropriation of Facebook by Irish radio stations to enhance audience engagement through affective media experiences. Paper presented at the International Symposium of Media Engagement: Connecting Production, Texts and Audiences, May 4, University of Westminster, London.en
dc.identifier.urihttp://hdl.handle.net/10545/620543
dc.description.abstractRadio audiences have become increasingly interested in engaging with radio stations via social network sites (SNS), finding radio station Facebook pages as a source of information, entertainment and as a channel for audience participation. Meanwhile in an attempt to remain viable in an increasingly digital mediascape radio station management have appropriated Facebook and other SNSs to create a broader media experience for their audiences. This has involved moving radio stations beyond simple audio broadcasters to become digital media producers, adding visual and highly interactive dimensions to their arsenal. The adoption of Facebook by the Irish radio industry has been driven by commercial forces with station management engaging with audiences via Facebook to help grow online and on-air audience numbers with the goal of increasing revenue. Using the Irish radio industry as a case study this research found that some radio stations are more adept at engaging with their audiences than others. Those stations that employ the medium effectively are connecting with audiences on an emotional level, evoking feelings and instigating affective communication between users. The focus of this research resides at the nexus of radio industry trends, audience engagement experiences and radio production practices, all of which have changed as a result of the adoption of Facebook and other SNSs by the Irish radio industry. This research involved in-depth analysis of three radio stations including commercial and public service stations broadcasting to local, regional and national audiences. The methodology included analysis of Facebook page content, interviews with industry professionals and an audience survey of N=419 radio listeners/Facebook users. This research forms part of the author’s doctoral thesis which explores the social, economic and cultural implications of Facebook use by Irish radio stations and their audiences.
dc.language.isoenen
dc.publisherLund University and University of Westminsteren
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en
dc.subjectAudience experiencesen
dc.subjectemotionen
dc.subjectengagementen
dc.subjectaffecten
dc.subjectFacebooken
dc.subjectIrish Radioen
dc.titleFriends and feelings: the appropriation of Facebook by Irish radio stations to enhance audience engagement through affective media experiencesen
dc.typePresentationen
dc.contributor.departmentUniversity of Derbyen
refterms.dateFOA2019-01-23T13:30:59Z
html.description.abstractRadio audiences have become increasingly interested in engaging with radio stations via social network sites (SNS), finding radio station Facebook pages as a source of information, entertainment and as a channel for audience participation. Meanwhile in an attempt to remain viable in an increasingly digital mediascape radio station management have appropriated Facebook and other SNSs to create a broader media experience for their audiences. This has involved moving radio stations beyond simple audio broadcasters to become digital media producers, adding visual and highly interactive dimensions to their arsenal. The adoption of Facebook by the Irish radio industry has been driven by commercial forces with station management engaging with audiences via Facebook to help grow online and on-air audience numbers with the goal of increasing revenue. Using the Irish radio industry as a case study this research found that some radio stations are more adept at engaging with their audiences than others. Those stations that employ the medium effectively are connecting with audiences on an emotional level, evoking feelings and instigating affective communication between users. The focus of this research resides at the nexus of radio industry trends, audience engagement experiences and radio production practices, all of which have changed as a result of the adoption of Facebook and other SNSs by the Irish radio industry. This research involved in-depth analysis of three radio stations including commercial and public service stations broadcasting to local, regional and national audiences. The methodology included analysis of Facebook page content, interviews with industry professionals and an audience survey of N=419 radio listeners/Facebook users. This research forms part of the author’s doctoral thesis which explores the social, economic and cultural implications of Facebook use by Irish radio stations and their audiences.


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