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dc.contributor.authorPhotiou, Maria
dc.date.accessioned2016-08-31T13:17:11Z
dc.date.available2016-08-31T13:17:11Z
dc.date.issued2012
dc.identifier.citationPhotiou, M. (2012) 'Who Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprus', Women's Studies: An Interdisciplinary Journal, Taylor & Francis Publishers, vol. 41, Issue 8, pp. 941-958en
dc.identifier.doihttp://dx.doi.org/10.1080/00497878.2012.718691
dc.identifier.urihttp://hdl.handle.net/10545/619140
dc.description.abstractThis article is about Greek Cypriot women artists. In particular it concerns their art, their careers, and their relation to politics; the way they were influenced by politics in Cyprus and how they represented the political upheavals of the time in their own practice. Although all these artists experienced the several phases of Cypriot history in a different way, they all have something in common: the fact that these artists were women living in a colonised, patriarchal country under Greek Cypriot nationality. Their practices are the result of what they experienced and an analysis of their work will reveal the artistic strategies they applied as a response to the politics in Cypriot society.
dc.language.isoenen
dc.publisherTaylor & Francis Publishersen
dc.relation.urlhttp://www.tandfonline.com/eprint/a24iQ2S4MVUdInWGjcTf/fullen
dc.subjectvisual cultureen
dc.subjectwomen artistsen
dc.subjectCypriot arten
dc.subjectCyprusen
dc.subjectfeminist arten
dc.subjectNational identityen
dc.titleWho Are We, Where Do We Come From, Where Are We Going To? Greek Cypriot Women Artists in Contemporary Cyprusen
dc.typeArticleen
dc.contributor.departmentLoughborough Universityen
dc.identifier.journalWomen's Studies: An Interdisciplinary Journalen
refterms.dateFOA2019-01-23T13:26:48Z
html.description.abstractThis article is about Greek Cypriot women artists. In particular it concerns their art, their careers, and their relation to politics; the way they were influenced by politics in Cyprus and how they represented the political upheavals of the time in their own practice. Although all these artists experienced the several phases of Cypriot history in a different way, they all have something in common: the fact that these artists were women living in a colonised, patriarchal country under Greek Cypriot nationality. Their practices are the result of what they experienced and an analysis of their work will reveal the artistic strategies they applied as a response to the politics in Cypriot society.


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