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dc.contributor.authorWells, Kate
dc.date.accessioned2016-03-11T13:07:46Zen
dc.date.available2016-03-11T13:07:46Zen
dc.date.issued2015-11-04en
dc.identifier.citationWells, K. (2015) 'Cyanotype and Anthotype: Eco-patterning with mineral and natural dyes.' Proceedings: International Textile & Costume Congress. 2015. Between Worlds: Innovation and Design in Textiles and Costume. Marmara University, Istanbul: 145en
dc.identifier.urihttp://hdl.handle.net/10545/601182en
dc.description.abstractThe paper outlines collaborative research between two different disciplines: That of textile design and early colouration methods with historical photographic imaging techniques. The project considers the symbiotic relationship between natural plant extracts with ‘Anthotypes’ and raised colours specifically ‘Prussian Blue’ with ‘Cyanotypes’. The aim of which, is to consider the question: Could this kind of photographic image making be applied as a future, sustainable method of design generation, colouration and patterning of fabric for fashion and interiors? Looking at the substantive and the fugitive properties of the colouration materials along side different light wavelengths and analysing the success or failure of using Anthotypes and Cyanotype as an alternative sustainable surface design process can be attained: A form of Eco-patterning that relies upon light and natural substances/dyes not synthetic dyes as the colouring medium
dc.description.sponsorshipCollege of Arts Research Funding, University of Derbyen
dc.language.isoenen
dc.publisherInternational Textile and Clothing Congress ITCCen
dc.relation.urlhttps://www.textile-forum-blog.org/2016/01/the-itcc-2015-textile-costume-conference/en
dc.subjectFastnessen
dc.subjectNatural Dyesen
dc.subjectAnthotypesen
dc.subjectCyanotypesen
dc.subjectFugitiveen
dc.subjectEco -Patterningen
dc.subjectSustainabilityen
dc.subjectBlue Printsen
dc.titleCyanotype and Anthotype: Eco-patterning with mineral and natural dyesen
dc.typeArticleen
dc.contributor.departmentUniversity of Derbyen
dc.identifier.journalProceedings of the 3rd International Textiles & Costume Congress - ITCC 2015en
refterms.dateFOA2019-02-28T14:12:23Z
html.description.abstractThe paper outlines collaborative research between two different disciplines: That of textile design and early colouration methods with historical photographic imaging techniques. The project considers the symbiotic relationship between natural plant extracts with ‘Anthotypes’ and raised colours specifically ‘Prussian Blue’ with ‘Cyanotypes’. The aim of which, is to consider the question: Could this kind of photographic image making be applied as a future, sustainable method of design generation, colouration and patterning of fabric for fashion and interiors? Looking at the substantive and the fugitive properties of the colouration materials along side different light wavelengths and analysing the success or failure of using Anthotypes and Cyanotype as an alternative sustainable surface design process can be attained: A form of Eco-patterning that relies upon light and natural substances/dyes not synthetic dyes as the colouring medium


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