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    Spatialization and computer music

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    Authors
    Lennox, Peter cc
    Affiliation
    University of Derby
    Issue Date
    2011-04
    
    Metadata
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    Abstract
    This article is about the possibility of a new kind of music; computer-managed signal processing offers unprecedented possibilities in the control of sound fields, and the promise of three-dimensional music is on the horizon. A paradigm shift is under way; as technological constraints are rolled back, so must conceptual constraints be reevaluated. Some of these are concerned with what spatiality actually is. This article asks if people had evolved without vision, how they would have ever had developed concepts of perfect forms such as triangles, exact circles, precise shapes, and completely straight lines. Auditory spatial perception tends to suffer in direct comparison with vision, but it may be that spatiality in audition is fundamentally different in several important respects. New musical metaphors can illuminate these, and the control possibilities offered by digital audio are at the forefront of these experiments.
    Citation
    Lennox, P. (2011) "Spatialization and computer music" in Dean, Roger, T., The Oxford Handbook of Computer Music, Oxford University Press, Oxford
    Publisher
    Oxford University Press
    Journal
    The Oxford Handbook of Computer Music
    URI
    http://hdl.handle.net/10545/348470
    DOI
    10.1093/oxfordhb/9780199792030.013.0013
    Additional Links
    http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199792030.001.0001/oxfordhb-9780199792030-e-013#
    Type
    Article
    Language
    en
    Series/Report no.
    Oxford Handbooks Online
    ae974a485f413a2113503eed53cd6c53
    10.1093/oxfordhb/9780199792030.013.0013
    Scopus Count
    Collections
    D-MARC
    School of Arts

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