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dc.contributor.authorLennox, Peteren
dc.contributor.authorMyatt, Tonyen
dc.date.accessioned2015-02-12T17:24:23Zen
dc.date.available2015-02-12T17:24:23Zen
dc.date.issued2007-06-26en
dc.identifier.citationLennox, P, Myatt, T. 2007, 'Concepts of perceptual significance for composition and reproduction of explorable surround sound fields'. in Proceedings of the 13th International Conference on Auditory Display. pp. 208-212, ICAD2007, Montreal, Canada, 26-29 June.en
dc.identifier.urihttp://hdl.handle.net/10545/344431en
dc.description.abstractRecent work in audio and visual perception suggests that, over and above sensory acuities, exploration of an environment is a most powerful perceptual strategy. For some uses, the plausibility of artificial sound environments might be dramatically improved if exploratory perception is accommodated. The composition and reproduction of spatially explorable sound fields involves a different set of problems from the conventional surround sound paradigm, developed to display music and sound effects to an essentially passive audience. This paper is based upon contemporary models of perception and presents proposals for additional spatial characteristics beyond classical concepts of three-dimensional positioning of virtual objects.
dc.language.isoenen
dc.publisherSchulich School of Music, McGill Universityen
dc.relation.urlhttps://www.researchgate.net/publication/260409937_Concepts_of_Perceptual_Significance_for_Composition_and_Reproduction_of_Explorable_Surround_Sound_Fieldsen
dc.relation.urlhttp://www.music.mcgill.ca/icad2007/proceedings.phpen
dc.subjectPerceptual significanceen
dc.subjectSpatial sounden
dc.subjectExplorableen
dc.titleConcepts of perceptual significance for composition and reproduction of explorable sound fieldsen
dc.typeMeetings and Proceedingsen
dc.contributor.departmentUniversity of Derbyen
dc.contributor.departmentUniversity of Yorken
dc.identifier.journalProceedings of the 13th International Conference on Auditory Displayen
refterms.dateFOA2019-02-28T13:37:57Z
html.description.abstractRecent work in audio and visual perception suggests that, over and above sensory acuities, exploration of an environment is a most powerful perceptual strategy. For some uses, the plausibility of artificial sound environments might be dramatically improved if exploratory perception is accommodated. The composition and reproduction of spatially explorable sound fields involves a different set of problems from the conventional surround sound paradigm, developed to display music and sound effects to an essentially passive audience. This paper is based upon contemporary models of perception and presents proposals for additional spatial characteristics beyond classical concepts of three-dimensional positioning of virtual objects.


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