• Jonathan Vickers and Kerri Pratt

      Robinson, Carl; University of Derby (WordPress, 21/07/2014)
      2014 Jonathan Vickers Award winner Kerri Pratt, her work and circumstances relating to the award.
    • Karri Pratt: Our treasure houses

      Robinson, Carl; University of Derby (Derby Museum and Art Gallery, 2015-09)
      Kerri Pratt’s paintings have references to curious spaces derived from man-made, industrial and urban landscapes. Drawing on childhood memories of growing up in an ex-mining town, when the demise of previously thriving industries of Collieries, Potteries, Pipeworks and Brickworks were all too prominent. Kerri has reconnected with her home county of Derbyshire to produce a new series of paintings referencing remnants and traces of our industrial heritage.
    • PaintingDigitalPhotography: Synthesis and difference in the age of media equivalence

      Hilliard, John; Honlold, Astrid; Robinson, Carl; Rosenstein, Tatiana; Rushton, Stephanie; Simson, Henrietta; Speidel, Klaus; Walker, Jame Faure; Weir, Catherine M; Wooldridge, Duncan; et al. (Cambridge Scholars Publishing, 01/09/2018)
      We live in a digital age where the mediums of art are inextricably bound to the binary code, and painting and photography are redefined in their interconnected relationship through digital reconfiguration. As digitisation unmoors these mediums from their traditional supports, their modes of production, display and dissemination shift. These changes bring about new ways of creating, and engaging with, artworks. Through this, the innate qualities of the mediums, previously anchored in their analogue nature, are re-evaluated through their connection with “the digital”. Born out of the PaintingDigitalPhotography conference, held at QUAD Derby, UK, in May 2017, this anthology of essays investigates aspects of interconnectivity between painting, digital and photography in contemporary art practices. It contributes to critical discourses around networks of associations by examining where syntheses occur, and differences remain, between these mediums at the beginning of the twenty first century.
    • Seeing in: Two-fold, three-fold?

      Robinson, Carl; University of Derby (Mac Birmingham, 29/11/2016)
      Taking Richard Wollheim’s theory that seeing pictures is a two-fold experience of perception, (between the marked surface of the physical object and something depicted in its surface), this paper analyses my recent practice of creating artworks that place painted marks directly onto photographic prints of paint marks as a means of challenging the viewer as to what exactly is being seen in the picture. This conjoined photographic / painting practice also builds on Regina-Nino Kurg’s assertion that there is, in fact, a three-fold perceptual experience in seeing pictures. That is, seeing the physical object that is the picture - its configuration, whilst simultaneously seeing the object depicted in the picture - its representation, and the subject of the picture - its figuration. The research opens debates around the perceptual differences of seeing in the photographic image, which contains both representation and figuration; seeing in the painted image, which can contain either representation or representation and figuration; and seeing in the picture comprising of both the photographic and the painted. It is at the point of physical conjunction between photograph and paint that the question of multiple-‘foldness’ becomes particularly complex, and which this paper will begin to explicate. This particular research-based practice aims to illuminate an aspect of my overarching PhD research question, ‘To what degree can an art practice of painting onto digital photographic prints illuminate the ontological relationship between representational painting and photography in the digital age’?
    • Surfaces.

      Robinson, Carl; University of Derby (2017-04)
      'Surfaces' - A solo exhibition of recent work at the New Court gallery Repton. Exploring aspects of perception related to viewing painted-on-photographs.
    • Twofoldness/threefoldness: Marc Lüders' photopicturen

      Robinson, Carl; University of Derby (Cambridge Scholars, 2018-11)
      My essay 'Twofoldness/Threefoldness: Marc Lüders' Photopicturen' used as the text accompanying Marc Lüders' exhibition - 'Marc Lüders/Twofoldness' at the Levy Gallery, Hamburg in November 2018.