• Here and There: two works, ten countries.

      Bartram, Angela; O'Neill, Mary; University of Lincoln (22/05/2015)
      The presence of the performing body is central to the experience of live art. It is this distinctive quality that enables an audience to engage with an unmediated work that incorporates contingencies of site and response. In this paper we will discuss two works by Bartram O’Neill (the authors’ collaborative name) that address the myth of presence through an interrogation of ‘liveness’ and what it constitutes in art practice when reliant on technological means. In 2013 Bartram O’Neill performed "I, I am, I am here, I am speaking here" as part of Performa 1, Art Basel Miami (USA). This was performed remotely, from the U.K. through two ‘bodies’ in Miami. Unlike the theatrical tradition of script, rehearsal, interpretation etc. this work required these ‘bodies’ to act as channels and ‘puppets’ for the performers in the UK. Using text messaging and Skype, the UK based ‘performers’ and authors of the work communicated to the audience in Miami through their Miami based translators. Meanwhile the UK authors listened to the performance through a telephone connection with an audience member, and thereby being both performers and audience of their work. Bartram O’Neill participated in “O/R” in the streamed Low Lives 4 Networked Performance Festival. From an empty gallery in Nottingham, UK, the pair performed at 2am GMT to an open laptop on the floor, reaching audiences in the USA, Japan, Trinidad & Tobago, Australia, France, Colombia, Norway, and Aruba, between 8- 9pm the calendar day before, depending on location. These works incorporated not just distance, but also time difference - in the former the performers were in a living room surrounded by their diurnal domestic trappings and in the latter they performed in the middle of the night having walked through deserted streets to occupy a gallery devoid of life. Both works distanced the body of the performer, who was in fact ‘present’. This paper explores the possibilities, complexities and contingencies of this dynamic seeking to analyse what it is to be presented as ‘live’ when geographically distant.
    • Towards being a "Good Cuban": socialist citizenship education in a globalized context.

      Smith, Rosemary; University of Nottingham (Springer, 21/10/2016)
      Considering the renewed diplomatic relations with the United States and to a globalized world, the Cuban State is forming global citizens while trying to retain socialist values in the face of increased market liberalization. Since the revolutionary period (1960s), Cuban education has stressed the intersecting values of fervent, resistant patriotism, hard work and active, solidary internationalism, as integral parts of the New Socialist Man/Woman or the “buen revolucionario” (good revolutionary). In this new economic, political and social context the Cuban government, its school system, and parents are challenged with preserving socialism and its accompanying values while preparing its young people for work and life in an evolving society and globalized world. Drawing on school textbooks and a wide range of interviews with young Cubans conducted by three education researchers, between 2011 and 2014, this chapter examines Cuban young people’s struggle to reconcile the contradictions and tensions between these ideals and the pragmatic reality of life, implying the need for new forms of national, international, global citizenship. Cuban youth are demanding a larger role in shaping their society if the government wants to keep them on the island. Consequently, the development of the buen revolucionario is taking on new meaning in the twenty-first century globalized world.
    • Flexible feedback project

      Draycott, Ann; Higson, Rob; University of Derby (21/10/2015)
      The project aimed to create a workflow which allowed tutors to provide students with access to feedback they could flexibly use to support their learning at times and in place of their choosing. It was envisaged that this workflow, or aspects of it, could be adapted by tutors within the University of Derby and beyond it to meet their needs and those of their students. A key consideration of the project was the need to create visual resources for students who worked in a very visual medium. Our aim was to create resources and processes which were accessible to them in terms of their individuals learning needs and abilities. The project was shortlisted as a finalist for the 2014 MEDEA awards in Brussels at the Flemish Ministry of Education Headquarters. It was selected out of 237 entries and the project was one of the 8 finalists from 29 countries.
    • Jonathan Vickers and Kerri Pratt

      Robinson, Carl; University of Derby (WordPress, 21/07/2014)
      2014 Jonathan Vickers Award winner Kerri Pratt, her work and circumstances relating to the award.
    • Sound Fountain

      Locke, Caroline (21/06/2010)
    • Matches.

      O'Connor, Sean; McMahon, Daithi; University of Derby (Newstalk 106-108FM, 21/03/2015)
      Matches is the story of Tom, a recovering alcoholic looking for love in a world of dating apps, social media and the ever-present lure of alcohol. Exploring this mysterious sub-culture, Tom discovers some of the thrills and pitfalls of the modern dating scene. Tom Brody is a Dublin man in his late-thirties recovering from alcoholism. Tom's recent sobriety has brought many improvements. He is happier, healthier and getting on better with his family. The one area he finds more difficult is dating. Without the reliable meeting place of the pub, Tom finds meeting women more complicated than ever in a social scene still dominated by drinking. Furthermore, without the traditional 'Dutch courage', Tom feels more than a little awkward approaching the opposite sex sober. A friend introduces Tom to Quiver, the latest dating app for everything from lifetime relationships to random hookups. Along the way he conquers his awkwardness with social media and discovers some strange rules and peculiarities of the online dating world. Tom's initial success on the single scene pushes him to take ever greater risks with his sobriety as he encounters the pitfalls of keeping his history a secret. Ultimately Tom learns that being honest with himself is as important as being honest with others and that meeting his ideal match is about more than a perfect dating profile.
    • A common language and shared understanding?: Corpus approaches in support of system responses to family violence

      Penry Williams, Cara; Stebbins, Tonya N.; University of Derby; La Trobe University, Victoria, Australia (Edinburgh University Press, 2023)
      Family violence is an enduring social problem with devastating impacts. The Victorian Government (Australia) Royal Commission (state inquiry) into Family Violence (RCFV) noted that language is implicated in underreporting and under-recording of violence and emphasised the importance of agencies having ‘a common language’ and ‘shared understanding’ of family violence. Our analyses examine written submissions to the RCFV for frequencies and collocations, focussed on the construction and roles of human referents. We utilised corpus assisted discourse analysis to explore if community service and law-based professional bodies do have common vocabularies and if these represent shared ideas, responding directly to agendas set by those involved. Analyses show key differences but also undercover a shared lack of agency given to victims and a loss of focus on the role of those who inflict these forms of violence. We argue for the utility of corpus linguistic methods to empirically show how language is used to construct conceptualisations of family violence across key sectors of the service system. We intend this research as a starting point for discussion between professionals working to improve cross-sector communication, by bringing linguistic insights to this deep-rooted social issue.
    • Teacher education for SEND inclusion in an international context: The importance of critical theoretical work

      Robinson, Deborah; University of Derby (Routledge, 2021-12-31)
      Global commitments to inclusive education have been made in UNESCO’s Sustainable Development Goal, ‘Ensure inclusive and equitable quality education and promote lifelong learning opportunities for persons with disabilities’ (UNDESA, 2018. p75). With clear evidence that students with disabilities have heightened vulnerability to inequity, teacher education is considered an essential strategy for improving this situation. This chapter explores best practice in teacher education for SEND and inclusion and places emphasis on the importance of theoretical work in the teacher education curriculum. Best practices in teacher education must offer teachers opportunities to resist binary positions on the relevance of impairment to inclusive planning. It argues that critical theory in the form of critical disability studies provides useful theoretical tools, such as the explanation of ‘othering.’ These can make visible and ‘workable-on’, hidden barriers to inclusion including normative discourses. The chapter proposes two practical tools to support critical theorising on practice, reflexive practice, and transgression. Both support critical work on self and system. They also scaffold teacher agency in constructing hybrid forms of resistance/compliance in harmony with the freedoms and constraints operating in local and national sites for practice.
    • Discovering intercultural communication: From language users to language use

      Kim, Hyejeong; Penry Williams, Cara; University of Melbourne, Australia; University of Derby; La Trobe University, Australia (Palgrave Macmillan / Springer, 2021-12-26)
      This textbook provides a succinct, contemporary introduction to intercultural communication with a focus on actual language use. With English as a lingua franca and Communicative Accommodation Theory as the underpinning concepts, it explores communication, language use, and culture in action. Each chapter includes discourse extracts so that students can apply what they have learned to real text examples, and supplementary instructor materials including suggestions for discussion points and activities are hosted on springer.com. The book will be key reading for students taking modules on Intercultural Communication or Language, Culture and Communication as part of a degree in Linguistics and Applied Linguistics, or English Language both at undergraduate and postgraduate level.
    • Curating the Canon: Editorial Decision-Making, Bias and Privilege in Publishing

      Barker, David; University of Derby (Lectito Journals, 2021-07-31)
      In September 2003, the independent publishing house Continuum launched a book series under the banner of “33 1/3”. These were, in the publisher's own promotional literature, “short books about classic albums”. But who decides what constitutes a classic album, and who decides which authors should write such books? Using an autoethnographic approach to analyse the curatorial thinking and strategy behind this book series, and through close analysis of the online discourse around it, the article innovates by exploring the commercial and curatorial practice of one publishing imprint in the first decade of the 2000s. By focusing closely on the work of one editor and drawing on primary data concerning book proposals that were accepted or rejected as well as reader reactions to those decisions, I illustrate how decisions are made and how editorial bias might impact the authorial voices that publishers choose to amplify. Finally, the article examines curatorial practice in publishing in light of more recent discussions of inequalities and imbalances of power (along both gender and ethnic lines) in the industry.
    • Co-curation as feminist practice: exhibiting the work of Marion Adnams

      Forde, Teresa; University of Derby (Taylor and Francis, 2021-06-04)
      This article explores the co-curation of the ‘Marion Adnams: A Singular Woman’ exhibition at Derby Museum and Art Gallery (December 2017 to March 2018). The process of co-curation is a productive and challenging way to engage with an artist’s work. The discussion adopts a feminist perspective to consider the act of curation and the considerations involved in organising and engaging with an artist’s life and work. The place of an artist within narratives of art history can be problematic and challenging and the process of drawing together a body of work for exhibition raises as many questions as it answers. However, this discussion considers the extent to which this is a constructive and significant activity and the ways in which co-curation can contribute to reincorporating artists such as Marion Adnams into art history and recuperating her work and its contribution to British art history and beyond. The approach to feminist co-curation includes a consideration of how to present a female artist’s work and the issues involved in curating an exhibition as a representation of their practice.
    • Erasmus Darwin's Gardens: Medicine, Agriculture and the Sciences in the Eighteenth Century

      Elliott, Paul; University of Derby (Boydell and Brewer, 2021-06)
      Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher. The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.
    • Death, landscape and memorialisation in Victorian urban society: Nottingham's General Cemetery (1837) and Church Cemetery (1856)

      Elliott, Paul; University of Derby (The Thoroton Society, 2021-05-13)
      This article argues that through their buildings, landscaping, planting, monuments and management, Nottingham’s Victorian garden cemeteries functioned as heterotopias and heterochronias enabling visitors to traverse the globe, serving as portals to remote places and linking past with present and future and the living and dead. By the 1820s, the town faced problems associated with a high population density, crowded churchyards and poor public health, exacerbated by space restrictions caused by burgess rights to surrounding common lands. From the 1830s campaigners called for a comprehensive enclosure act with associated public green spaces intended to compensate the burgesses for loss of rights of common. As the first specially-designed public green space established under the reformed corporation, the General Cemetery (1837) played a crucial role in winning support for the Nottingham Enclosure Act (1845). This enabled the creation of the Nottingham Arboretum (1852) and other interconnected public parks and walks, providing additional space for the General Cemetery and land for a new Anglican Church Cemetery (1856). Landscaped and planted like a country-house garden with some (but not universal) interdenominational support, the General Cemetery provided a model for the public parks laid out after the 1845 act. It was also seen as an arboretum because of its extensive tree collection, which pre-dated the arboretums in Derby (1840) and Nottingham (1852). The Church Cemetery too, with its commanding location, landscaping, planting, antiquities and rich historical associations, likewise effectively served as another public park. Although quickly joined by other urban and suburban cemeteries in the Nottingham vicinity, the two Victorian garden cemeteries served the needs of a modern industrial population whilst invoking memories of communities long gone. Like the botanical gardens, arboretums, art galleries, museums and libraries, the two cemeteries were intended to further the objectives of middle-class rational recreationists as well as to serve moral and religious purposes and foster urban identity, even if, like them, they remained institutions divided by class and religion.
    • The SENCO as a leader of professional learning for inclusive practice

      Robinson, Deborah; University of Derby (Routledge, 2021-04-22)
      This chapter explores the theory and practice of professional development for inclusive practice. The SENCO’s remit to ‘inspire inclusive practice’ (Wharton, Codina, Middleton and Esposito, 2019, p16) through leading teacher learning and Continuing Professional Development (CPD) is theoretically framed within epistemologies of difference and ontologies of change so that the challenges of this remit are treated with the depth they demand. The chapter defends practice inquiry for transformational teacher development towards inclusion. Using the example of Lesson Study, it explores Practice Inquiry as a form of CPD of value to SENCOs. A core argument in the chapter is that Practice Inquiry has the capacity to loosen unhelpful, obdurate paradigms of learning difficulty with positive consequences for practice. The purpose of the chapter is to provide a meaningful framework for SENCOs to theorise their CPD remit and how it might be implemented to make inclusion more enduringly manifest in the classroom.
    • Positioning children as artists through a ceramic arts project and exhibition: children meaning making

      Yates, Ellen; Szenasi, Judith; University of Derby (Taylor and Francis, 2021-03-15)
      This article describes a ceramic arts research project that provided children with opportunities for meaning making using bone china clay, a medium with strong cultural and historical links to the city where the research took place. The children were positioned as artists and their work was curated and presented for exhibition by an international ceramic artist, affording equal status to their work as that of adults. Findings identified that children made meaning based on lived experiences, popular culture, unique family and cultural heritage, and school identities. We also acknowledge that adult attitudes and school schedules can both enable and limit children’s creativity. We further assert that the professional exhibition validated children’s processes, competence, cultural funds of knowledge and agency.
    • “It’s nice to know you might make a difference”: engaging students through primary research as an authentic assessment

      Yates, Ellen; Oates, Ruby; University of Derby (RAISE network, 2021-02-23)
      This paper presents the views of undergraduate students on taking part in a small-scale student-staff research project to inform the design of a local community play space. The project repositioned students as researchers by providing them with an opportunity to engage in primary research with children through an authentic assessment task in a final year module. The students took on responsibility for the design and implementation of the primary research to elicit the views of young children aged 6-7 years, alongside Higher Education (HE) lecturers who collected the views of other key users of the space. The students experienced the project as engaging, challenging and as an opportunity for individual professional development, resulting in valuable learning including, increased confidence, professional aptitudes, and applied research skills. While finding much potential in co- research projects for student engagement, we recognise barriers within the higher education curriculum that mitigate against their success as part of assessment. The reconceptualization of HE within a market economy and the changing expectations of students further limit the success of such projects.
    • Engaging the local community in cultural heritage through a children’s ceramic arts exhibition

      Yates, Ellen; Szenasi, Judith; University of Derby (Peter Lang, 2021)
      This chapter describes a research project which aimed to increase social inclusion and access to the arts and cultural heritage, through a children’s ceramic arts exhibition. The exhibition was curated by an internationally recognised ceramic artist and located in an historic building within an inner city park in Derby, England, behind a culturally historic ceramics factory and museum. The project further aimed to reposition children as artists and heritage makers by valuing their ideas, creativity, identity and agency. Data was collected through interviews and through comments from the exhibition visitor’s book. Findings indicate that barriers exist within the UK education system which limit children’s full participation in the arts and cultural activities. The exhibition encouraged social inclusion and contested the idea of separate spaces for the display of adults and children products, but most significantly, children were repositioned as active agents in the construction of their cultural heritage.
    • Consumption and material culture of poverty in early-modern Europe, c.1450-1800

      Harley, Joseph; University of Derby (Routledge, 2020-12-31)
    • Re-conceptualising VET: responses to covid-19

      Avis, James; Atkins, Liz; Esmond, Bill; McGrath, Simon; University of Derby; University of Nottingham (Taylor and Francis, 2020-12-30)
      The paper addresses the impact of Covid-19 on vocational education and training, seeking to discern the outline of possible directions for its future development within the debates about VET responses to the pandemic. The discussion is set in its socio-economic context, considering debates that engage with the social relations of care and neo-liberalism. The paper analyses discourses that have developed around VET across the world during the pandemic, illustrating both possible continuities and ruptures that may emerge in this field, as the health crisis becomes overshadowed in public policy by the prioritisation of economic recovery and social restoration. The paper concludes that, alongside the possibility of a narrowing of VET to its most prosaic aims and practices, the health crisis could also lead to a re-conceptualisation that develops its radical and emancipatory possibilities in both the global south and north.
    • Careers coaching for social justice: the case of school leadership and inclusive education for children and young people with special educational needs and disabilities

      Robinson, Deborah; Codina, Geraldene; Jill, Hanson; Eleni, Dimitrellou; University of Derby (University of Derby, 2020-12-18)
      This paper focusses on emancipatory careers coaching for social justice and proposes a practical tool for use with school leaders who are working to improve the inclusiveness of their schools. It draws on a study of 75 school leaders working on a programme of peer review in a city in England. The programme was named the Special Educational Needs and Disability (SEND) Peer Challenge Programme and through it, participants worked collaboratively to evaluate and improve the quality of inclusive practice in the City’s mainstream (ordinary) schools. The study used inductive qualitative content analysis (QCA) to form a coding agenda which was then applied to a deductive analysis of 24 SEND Peer Challenge school reports. These reports were collaboratively produced by leaders engaged in the SEND Peer Challenge Programme to summarise the outcomes of the process. Following final QCA reduction, the research identified six value constructs that were live and relevant for school leaders in the City related to collectivism, collaboration and mutuality. These value constructs are also live in the field of inclusive education more widely. Drawing on the six value constructs, we propose practical strategies for emancipatory careers coaching. These strategies can be applied by individuals who provide careers coaching for school leaders engaged in the process of school improvement for SEND and inclusion.