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dc.contributor.authorNicoletti, Martino
dc.date.accessioned2013-05-28T08:58:01Z
dc.date.available2013-05-28T08:58:01Z
dc.date.issued2013
dc.identifier.urihttp://hdl.handle.net/10545/292861
dc.description.abstractThis article – based on an experimental research carried out by the author in Thailand and founded on the systematic employment of vintage analogue lens-based media – provides an original contribution to the epistemology of visual anthropology and to its relation with contemporary visual art practices.
dc.language.isoenen
dc.publisherOxford-New Yorken
dc.subjectVisual anthropologyen
dc.subjectVisual artsen
dc.subjectThailanden
dc.subjectKayanen
dc.subjectFilmmakingen
dc.subjectEthnic tourismen
dc.subjectSuper 8en
dc.title"Visual media primitivism: toward a Poetic Ethnography’"en
dc.typeBook chapteren
dc.contributor.departmentUniversity of Derby, School of Art and Designen
dc.identifier.journalChapter in a collective work: Schneider, A. and Pasqualino C. (eds.), Experimental Film and Anthropology, Oxford-New York: Berg / Bloomsburyen
html.description.abstractThis article – based on an experimental research carried out by the author in Thailand and founded on the systematic employment of vintage analogue lens-based media – provides an original contribution to the epistemology of visual anthropology and to its relation with contemporary visual art practices.


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