Hdl Handle:
http://hdl.handle.net/10545/622481
Title:
Defining the female artist: Marion Adnams and surrealism.
Authors:
Forde, Teresa
Abstract:
Marion Adnams’ work can be placed into different periods and subject matter and curating her work involves making decisions about such criteria. But to what extent are wider grouping useful in defining an artist’s work and does placing Marion Adnams in the context of Surrealism offer any insights into her practice? The relationship of women artists to Surrealism and the female/male dichotomies within the movement will be considered in relation to the ways in which they resonate with motifs and themes within Marion Adnams’ own work. French Surrealism was largely envisaged as a collective movement, encapsulated in its British counterpart in the work of artists such as Nash and Agar, in painting, found objects and poetry, which may provide an understanding of Marion’s individual yet surrealist approach to her work.
Affiliation:
University of Derby
Citation:
Forde, T. (2018) 'Defining the Female Artist: Marion Adnams and Surrealism' Presented at 'Marion Adnams Symposium', University of Derby, 7th March.
Issue Date:
7-Mar-2018
URI:
http://hdl.handle.net/10545/622481
Additional Links:
https://twitter.com/hashtag/MarionAdnams?src=hash; https://v21art.space/a-singular-woman; https://www.derbymuseums.org/whats-on/marion-adnams-a-singular-woman; https://www.eventbrite.co.uk/e/marion-adnams-symposium-tickets-42085404578#; http://hdl.handle.net/10545/622269
Type:
Presentation
Language:
en
Sponsors:
N/A
Appears in Collections:
School of Arts

Full metadata record

DC FieldValue Language
dc.contributor.authorForde, Teresaen
dc.date.accessioned2018-04-04T14:37:30Z-
dc.date.available2018-04-04T14:37:30Z-
dc.date.issued2018-03-07-
dc.identifier.citationForde, T. (2018) 'Defining the Female Artist: Marion Adnams and Surrealism' Presented at 'Marion Adnams Symposium', University of Derby, 7th March.en
dc.identifier.urihttp://hdl.handle.net/10545/622481-
dc.description.abstractMarion Adnams’ work can be placed into different periods and subject matter and curating her work involves making decisions about such criteria. But to what extent are wider grouping useful in defining an artist’s work and does placing Marion Adnams in the context of Surrealism offer any insights into her practice? The relationship of women artists to Surrealism and the female/male dichotomies within the movement will be considered in relation to the ways in which they resonate with motifs and themes within Marion Adnams’ own work. French Surrealism was largely envisaged as a collective movement, encapsulated in its British counterpart in the work of artists such as Nash and Agar, in painting, found objects and poetry, which may provide an understanding of Marion’s individual yet surrealist approach to her work.en
dc.description.sponsorshipN/Aen
dc.language.isoenen
dc.relation.urlhttps://twitter.com/hashtag/MarionAdnams?src=hashen
dc.relation.urlhttps://v21art.space/a-singular-womanen
dc.relation.urlhttps://www.derbymuseums.org/whats-on/marion-adnams-a-singular-womanen
dc.relation.urlhttps://www.eventbrite.co.uk/e/marion-adnams-symposium-tickets-42085404578#en
dc.relation.urlhttp://hdl.handle.net/10545/622269-
dc.subjectWomen's arten
dc.subjectArtistsen
dc.subjectArt historyen
dc.titleDefining the female artist: Marion Adnams and surrealism.en
dc.typePresentationen
dc.contributor.departmentUniversity of Derbyen
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