Hdl Handle:
http://hdl.handle.net/10545/620643
Title:
An Ecology of Values: critically interpreting John Newling's art
Authors:
Crouch, David
Abstract:
In this article I articulate the cultural geographies of performing potential spaces of a gallery exhibition. I offer my participative, affective relations with the artwork, exploring the fluidity and openness of the spaces in which I found objects that were mutual, commingling and dissonant. In doing so, it is necessary to let the work speak, but not to leave it there. Nor is it to appraise, close-up the arrangement or individual elements of the show in an objective aesthetic. Rather it is to acknowledge circling atmospheres emerging in my cultural geography of practice. New spaces emerge in the practice, through my play with the spaces of the objects as set out, and through my own responses in an affective and productive relational engagement with them, singly and severally.
Affiliation:
University of Derby
Citation:
Crouch, D. An Ecology of Values: critically interpreting John Newling's art 2014, 22 (2):361 cultural geographies
Journal:
cultural geographies
Issue Date:
2014
URI:
http://hdl.handle.net/10545/620643
DOI:
10.1177/1474474014539913
Additional Links:
http://cgj.sagepub.com/cgi/doi/10.1177/1474474014539913
Type:
Article
Language:
en
ISSN:
1474-4740; 1477-0881
Appears in Collections:
Department of Humanities

Full metadata record

DC FieldValue Language
dc.contributor.authorCrouch, Daviden
dc.date.accessioned2016-10-18T14:26:53Z-
dc.date.available2016-10-18T14:26:53Z-
dc.date.issued2014-
dc.identifier.citationCrouch, D. An Ecology of Values: critically interpreting John Newling's art 2014, 22 (2):361 cultural geographiesen
dc.identifier.issn1474-4740-
dc.identifier.issn1477-0881-
dc.identifier.doi10.1177/1474474014539913-
dc.identifier.urihttp://hdl.handle.net/10545/620643-
dc.description.abstractIn this article I articulate the cultural geographies of performing potential spaces of a gallery exhibition. I offer my participative, affective relations with the artwork, exploring the fluidity and openness of the spaces in which I found objects that were mutual, commingling and dissonant. In doing so, it is necessary to let the work speak, but not to leave it there. Nor is it to appraise, close-up the arrangement or individual elements of the show in an objective aesthetic. Rather it is to acknowledge circling atmospheres emerging in my cultural geography of practice. New spaces emerge in the practice, through my play with the spaces of the objects as set out, and through my own responses in an affective and productive relational engagement with them, singly and severally.en
dc.language.isoenen
dc.relation.urlhttp://cgj.sagepub.com/cgi/doi/10.1177/1474474014539913en
dc.rightsArchived with thanks to cultural geographiesen
dc.subjectAffecten
dc.subjectArtworken
dc.subjectEcologyen
dc.subjectFeelingen
dc.subjectGeographiesen
dc.subjectPerformativeen
dc.subjectSpaceen
dc.titleAn Ecology of Values: critically interpreting John Newling's arten
dc.typeArticleen
dc.contributor.departmentUniversity of Derbyen
dc.identifier.journalcultural geographiesen
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