‘The Found Footage Composite: History, Hybridity and the Animated World’

Hdl Handle:
http://hdl.handle.net/10545/620078
Title:
‘The Found Footage Composite: History, Hybridity and the Animated World’
Authors:
Bosward, Marc
Abstract:
The paper will describe a practical methodology designed to deploy found footage, animation, digital compositing and special effects techniques to critically evaluate the ontological status of found footage in reference to materiality and truth-value. In this framework, the construction of non-real spaces that synthesise animation and found footage are explored for their potential in describing alternate histories with regards to memory and ideology. How can the material aspects of found footage be deployed within spatial and temporal collage films that challenge linear notions of memory and the past?
Affiliation:
University of Derby
Citation:
Bosward, M (2016) ‘The Found Footage Composite: History, Hybridity and the Animated World’ paper presented to the Seventh International Conference on The Image, Liverpool John Moores University, 2 September 2016
Issue Date:
2-Sep-2016
URI:
http://hdl.handle.net/10545/620078
Additional Links:
http://ontheimage.com/2016-conference
Type:
Animation; Presentation
Language:
en
Appears in Collections:
School of Arts

Full metadata record

DC FieldValue Language
dc.contributor.authorBosward, Marcen
dc.date.accessioned2016-09-13T09:23:25Z-
dc.date.available2016-09-13T09:23:25Z-
dc.date.issued2016-09-02-
dc.identifier.citationBosward, M (2016) ‘The Found Footage Composite: History, Hybridity and the Animated World’ paper presented to the Seventh International Conference on The Image, Liverpool John Moores University, 2 September 2016en
dc.identifier.urihttp://hdl.handle.net/10545/620078-
dc.description.abstractThe paper will describe a practical methodology designed to deploy found footage, animation, digital compositing and special effects techniques to critically evaluate the ontological status of found footage in reference to materiality and truth-value. In this framework, the construction of non-real spaces that synthesise animation and found footage are explored for their potential in describing alternate histories with regards to memory and ideology. How can the material aspects of found footage be deployed within spatial and temporal collage films that challenge linear notions of memory and the past?en
dc.language.isoenen
dc.relation.urlhttp://ontheimage.com/2016-conferenceen
dc.subjectAnimationen
dc.subjectDocumentaryen
dc.title‘The Found Footage Composite: History, Hybridity and the Animated World’en
dc.typeAnimationen
dc.typePresentationen
dc.contributor.departmentUniversity of Derbyen
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