Hdl Handle:
http://hdl.handle.net/10545/347176
Title:
Composing space: the ecology of artificial auditory environments
Authors:
Lennox, Peter ( 0000-0003-3690-344X )
Abstract:
Whilst various spatial formats for music reproduction exist their reason for existence is not always clear; “spatiality” as a set of musical parameters remains on the periphery of musical thought.Pioneering composers continue to explore the possibilities of spatial music, they sometimes face unnecessary (if not insurmountable) impediments in the form of unsuitable technological implementations. This work is part of on-going research to develop intuitive compositional spatial sound tools that can incorporate elements of naturally available spatiality into musical syntax. In highlighting unnecessary technical constraints that are underwritten by conceptual constraints, we hope to help to break the deadlock. We look forward to spatial composition becoming more ambitious, subtle, engaging, immersive and innovative.
Affiliation:
University of Derby
Publisher:
University of Derby
Issue Date:
27-Nov-2012
URI:
http://hdl.handle.net/10545/347176
Additional Links:
https://derby.academia.edu/peterlennox
Type:
Article
Language:
en
Appears in Collections:
Creative Technologies Research Group

Full metadata record

DC FieldValue Language
dc.contributor.authorLennox, Peteren
dc.date.accessioned2015-03-26T17:50:32Zen
dc.date.available2015-03-26T17:50:32Zen
dc.date.issued2012-11-27en
dc.identifier.urihttp://hdl.handle.net/10545/347176en
dc.description.abstractWhilst various spatial formats for music reproduction exist their reason for existence is not always clear; “spatiality” as a set of musical parameters remains on the periphery of musical thought.Pioneering composers continue to explore the possibilities of spatial music, they sometimes face unnecessary (if not insurmountable) impediments in the form of unsuitable technological implementations. This work is part of on-going research to develop intuitive compositional spatial sound tools that can incorporate elements of naturally available spatiality into musical syntax. In highlighting unnecessary technical constraints that are underwritten by conceptual constraints, we hope to help to break the deadlock. We look forward to spatial composition becoming more ambitious, subtle, engaging, immersive and innovative.en
dc.language.isoenen
dc.publisherUniversity of Derbyen
dc.relation.urlhttps://derby.academia.edu/peterlennoxen
dc.subjectSpatial sounden
dc.subjectSpatial compositionen
dc.subjectSpatial musicen
dc.subjectspatial perceptionen
dc.subjectSpatial auditionen
dc.subjectAuditory displayen
dc.subjectAuditory spatial perceptionen
dc.subjectAuditory cognitive mapen
dc.titleComposing space: the ecology of artificial auditory environmentsen
dc.typeArticleen
dc.contributor.departmentUniversity of Derbyen
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